Guerrilla Mixing on Digital Consoles
41 Lessons
Introduction/Definition/Prevention
Lesson 1.1 - Intro to the Course
Hi there!
Lesson 1.2 - What Do You Need
Lesson 1.3 - Tactics of Prevention
Lesson 1.4 - Tactics of Prevention
Lesson 1.5 - What Info Do I Need
Lesson 1.6 - Where to Find Information
Lesson 1.7 - Notation Systems
Stage Work and Verification
Lesson 2.1 - Importance of Stage Work
Lesson 2.2 - Microphone Selection
Lesson 2.3 - Microphone Polar Patterns
Lesson 2.4 - Do I Need That Input?
Lesson 2.5 - OH Mic Placement
Lesson 2.6 - Snare Mic Placement
Lesson 2.7 - Monitor Placement
Lesson 2.8 - Reducing Stage Volume
Console Prep
Lesson 3.1 - Simplicity is Key
Lesson 3.2 - Advantages of Digital Consoles
Lesson 3.3 - What to Set Up on Channels
Lesson 3.5 - One Reverb Setup
Lesson 3.6 - Quick Monitor Ring Out
Line Check
Lesson 4.1 - Communicating Your Work With the Act
Lesson 4.2 - Line Check Workflow
Lesson 4.3 - Line Check - Drums
Lesson 4.4 - Hot to Set Input Gain Levels
Lesson 4.5 - What to Filter Out
Lesson 4.6 - Line Check EQ
Lesson 4.7 - Line Check Dynamics
Guerrilla Monitor Mixing
Lesson 5.1 - Shifting Focus to the Stage
Lesson 5.2 - Visual Reference Level Monitor Mixing
Lesson 5.3 - "More Me" & "Stage Opposite" Strategies
Lesson 5.4 - Wedges vs. IEM
FOH Guerrilla Mixing
Lesson 6.2 - DCA Setup - "Variable" vs. "Fixed" Channels
Lesson 6.3 - Two Handed Mixing
Lesson 6.4 - Tips & Tricks for Successful Guerrilla Mixing
Lesson 6.5 - Time Management
Lesson 6.6 - Training Guerrilla Mixing
Lesson 6.7 - Worst Case Scenario - RIFFS
Legacy - Pilot Course
Legacy Pilot Course Recordings